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The Hidden North | The Hunger Theater: Capitalization of the Indigenous Community in Taiwan
The most treacherous virus in Taiwan's contemporary art scen...
The Semiotics Of Phosphorescence: Tsai-ling Tseng’s “Tu Di Gong Doesn’t Bless Me” At Venue
“Tu Di Gong Doesn’t Bless Me” isn’t a cheerful show, it does...
Seeing “In-house Curator” in Museums from National Palace Museum and National Museum of History
In conclusion, when we use the museum as a starting point to...
The Hidden North | When the Cloud Meets the Earth: Representing a Flat-Transmissive World
In this artistic environment, the so-called political, natur...
First-Time Museum Directors to Hit the Ground Running
But, if every time the director's open call begins, art prof...
The Performance of VR Technology in Art
Here, contemporary talents of visual art, techno art, and ci...