ARTouch|Critic Tic-Tac-Toe

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New Performing Arts Landscape: Cheng Tsung-lung and Bulareyaung
2020 was the start of an exciting chapter for Cloud Gate und...
Overdue Criticism: Gender Equality and Same-sex Marriage
Now as “queer aesthetics” claims center stage in pop culture...
International Network of Modern and Contemporary Art in Taiwan
It needs, however, assistance from the market and the academ...
Contemporary Art Sponsorship in Taiwan
Understanding Taiwan's funding system, therefore, can provid...
A Liberal Taiwan?
I believe a dynamic civil society contributes to the cultura...
Objects to Projects: First 36 Years of Art Museums in Taiwan
Thirty-six years have passed since Taiwan's first art museu...
Depth, Scope, Passion: Taiwan’s Private Art Collectors
Moreover, important Taiwanese collections from earlier times...
Progressive Businesses as Active Art Collectors
The ideal of "progressive businesses as active collectors" h...
Taiwanese Collectors: Distinctly Diverse and Ubiquitous
What's precious about Taiwan's art collection scene is that ...
Geo-Aesthetics Under globalization: Art Fairs and Taiwanese Gallery Industry 
Over the past forty years, its gallery industry has develope...